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In shows involving couples, there is a substantial incentive to break up any of the existing relationships.In shows involving singles, there is a mismatch of numbers ensuring constant competition.The format of Barris's first dating show, The Dating Game, which commenced in 1965, put an unmarried man behind a screen to ask questions of three women who are potential mates, or one woman who asked questions of three men.The person behind the screen could hear their answers and voices but not see them during the gameplay, although the audience could see the contestants.The various suitors were able to describe their rivals in uncomplimentary ways, which made the show work well as a general devolution of dignity.Questions were often obviously rigged to get ridiculous responses, or be obvious allusions to features of the participants' private areas.
These resembled the reality shows that began to emerge at about the same time in the 1990s.
The genre waned for a while but it was later revived by The New Dating Game and the UK version Blind Date, and the original shows were popular in reruns, unusual for any game show.
Cable television revived some interest in these shows during the 1980s and 1990s, and eventually new shows began to be made along the old concepts.
This creates the action, tension and humiliation when someone is rejected.
There are also reports of mercenary practice, that is, members of one sex paid to participate in the game to attain balance of sex ratio.